01of 142005: THE HOUSE OF CHANELPeter Kramer/GettyMary-KateandAshley Olsenloved a party just like any other NYU freshmen – the only difference is that theirs involved rubbing elbows with A-listers and being clad in couture. (Though no, you’re not alone for thinking that they look like they just stepped off the set ofNew York Minute.)

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2005: THE HOUSE OF CHANEL

Peter Kramer/Getty

2005: THE HOUSE OF CHANEL

Mary-KateandAshley Olsenloved a party just like any other NYU freshmen – the only difference is that theirs involved rubbing elbows with A-listers and being clad in couture. (Though no, you’re not alone for thinking that they look like they just stepped off the set ofNew York Minute.)

02of 142006: ANGLOMANIAJames Devaney/WireImageIt was a British invasion on the red carpet at the 2006 Met Gala – which may explain why the twins went for a more prim and proper fitted look than their go-to “bag lady chic” NYU attire at the time.

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2006: ANGLOMANIA

James Devaney/WireImage

2006: ANGLOMANIA

It was a British invasion on the red carpet at the 2006 Met Gala – which may explain why the twins went for a more prim and proper fitted look than their go-to “bag lady chic” NYU attire at the time.

03of 142007: POIRET: KING OF FASHIONMichael Loccisano/FilmMagic; Rex USAThe year after establishing their design cred with The Row, the sisters started showing signs of their signature design aesthetic in dresses that mirrored one another: classic color palettes, streamlined shapes and those long, loose Olsen waves.

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2007: POIRET: KING OF FASHION

Michael Loccisano/FilmMagic; Rex USA

2007: POIRET: KING OF FASHION

The year after establishing their design cred with The Row, the sisters started showing signs of their signature design aesthetic in dresses that mirrored one another: classic color palettes, streamlined shapes and those long, loose Olsen waves.

04of 142008: SUPERHEROES: FASHION AND FANTASYRichard Young/StartraksFor the superhero-themed year at the Met Gala, Ashley’s superpower seemed to be reading our mind (We’re thinking: ‘We’re jealous of your brow game’) and Mary-Kate appeared to be able to make her eyebrows disappear.

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2008: SUPERHEROES: FASHION AND FANTASY

Richard Young/Startraks

2008: SUPERHEROES: FASHION AND FANTASY

For the superhero-themed year at the Met Gala, Ashley’s superpower seemed to be reading our mind (We’re thinking: ‘We’re jealous of your brow game’) and Mary-Kate appeared to be able to make her eyebrows disappear.

05of 142009: THE MODEL AS MUSESharkpixs/ZUMA; FilmMagicThe night was all about inspiring female supermodels, but Mary-Kate and Ashley seemed to be concerned with eye candy of a different kind (pictured with Josh Hartnett, left, and then-boyfriend Justin Bartha, right).

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2009: THE MODEL AS MUSE

Sharkpixs/ZUMA; FilmMagic

2009: THE MODEL AS MUSE

The night was all about inspiring female supermodels, but Mary-Kate and Ashley seemed to be concerned with eye candy of a different kind (pictured with Josh Hartnett, left, and then-boyfriend Justin Bartha, right).

06of 142011: ALEXANDER MCQUEEN: SAVAGE BEAUTYLarry Busacca/Getty; Kevin Mazur/WireImageNeither twin wore Alexander McQueen, but both chose vintage gowns that had the designer’s sense of drama: Ashley wore vintage Christian Dior, while Mary-Kate chose a boho-feeling Givenchy Couture gown.

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2011: ALEXANDER MCQUEEN: SAVAGE BEAUTY

Larry Busacca/Getty; Kevin Mazur/WireImage

2011: ALEXANDER MCQUEEN: SAVAGE BEAUTY

Neither twin wore Alexander McQueen, but both chose vintage gowns that had the designer’s sense of drama: Ashley wore vintage Christian Dior, while Mary-Kate chose a boho-feeling Givenchy Couture gown.

07of 142012: SCHIAPARELLI AND PRADA: IMPOSSIBLE CONVERSATIONSLarry Busacca/GettySchiaparelli’s signature color was hot pink … which didn’t seem to be a huge factor in Mary-Kate’s dressing decisions the year she attended solo in a gown of her own design.

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2012: SCHIAPARELLI AND PRADA: IMPOSSIBLE CONVERSATIONS

Larry Busacca/Getty

2012: SCHIAPARELLI AND PRADA: IMPOSSIBLE CONVERSATIONS

Schiaparelli’s signature color was hot pink … which didn’t seem to be a huge factor in Mary-Kate’s dressing decisions the year she attended solo in a gown of her own design.

08of 142013: PUNK: CHAOS TO COUTUREDimitrios Kambouris/Getty; AFF-USAThe emphasis was on the “chaos” part of the theme, as both sisters picked voluminous ensembles in coordinating citrus shades with tons of embellishment.

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2013: PUNK: CHAOS TO COUTURE

Dimitrios Kambouris/Getty; AFF-USA

2013: PUNK: CHAOS TO COUTURE

The emphasis was on the “chaos” part of the theme, as both sisters picked voluminous ensembles in coordinating citrus shades with tons of embellishment.

09of 142014: CHARLES JAMES: BEYOND FASHIONGeorge Pimentel/WireImageThe Olsens paid tribute to the designer’s classic ’50s silhouette with more vintage gowns (thathad us divided) – an ’80s-inspired Chanel look from Ashley and a Gianfranco Ferré business-suit-esque number from Mary-Kate.

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2014: CHARLES JAMES: BEYOND FASHION

George Pimentel/WireImage

2014: CHARLES JAMES: BEYOND FASHION

The Olsens paid tribute to the designer’s classic ’50s silhouette with more vintage gowns (thathad us divided) – an ’80s-inspired Chanel look from Ashley and a Gianfranco Ferré business-suit-esque number from Mary-Kate.

10of 142015: CHINA: THROUGH THE LOOKING GLASSJamie McCarthy/FilmMagicThemes are for amateurs! The Olsensdid their own thing at the event, wearing coordinating black gowns – Mary-Kate in a robe-style shearling-trimmed number and Ashley in a tiered and puff-sleeved look (both are in David Webb jewels).

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2015: CHINA: THROUGH THE LOOKING GLASS

Jamie McCarthy/FilmMagic

2015: CHINA: THROUGH THE LOOKING GLASS

Themes are for amateurs! The Olsensdid their own thing at the event, wearing coordinating black gowns – Mary-Kate in a robe-style shearling-trimmed number and Ashley in a tiered and puff-sleeved look (both are in David Webb jewels).

11of 142016: MANUS X MACHINADimitrios Kambouris/GettyTheir participation on for the tech-themed red carpet was notable for two reasons: The first, they wore different colors; the second, they displayed a hint of a smile in the photobooth.

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2016: MANUS X MACHINA

Dimitrios Kambouris/Getty

Image

Their participation on for the tech-themed red carpet was notable for two reasons: The first, they wore different colors; the second, they displayed a hint of a smile in the photobooth.

12of 142017: Rei Kawakubo/Comme des Garçons: Art Of The In-BetweenJohn Shearer/GettyThe sisters both chose heavily accessorized lace dresses for the carpet, with Ashley topping hers off with an embroidered, feather-accented jacket.

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2017: Rei Kawakubo/Comme des Garçons: Art Of The In-Between

John Shearer/Getty

“Rei Kawakubo/Comme des Garcons: Art Of The In-Between” Costume Institute Gala

The sisters both chose heavily accessorized lace dresses for the carpet, with Ashley topping hers off with an embroidered, feather-accented jacket.

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2018: Heavenly Bodies: Fashion and the Catholic Imagination

Amy Sussman/WWD/REX/Shutterstock

The Metropolitan Museum of Art’s Costume Institute Benefit celebrating the opening of Heavenly Bodies: Fashion and the Catholic Imagination, Arrivals, New York, USA - 07 May 2018

14of 142019: Camp: Notes on FashionNeilson Barnard/GettyThe stars donnedcomplementary long leather gown/jacket hybridswith their signature boho waves and understated clutches. Is it camp? Who cares!

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2019: Camp: Notes on Fashion

Neilson Barnard/Getty

Mary Kate Olsen and Ashley Olsen

The stars donnedcomplementary long leather gown/jacket hybridswith their signature boho waves and understated clutches. Is it camp? Who cares!

source: people.com